This reading readiness game emphasizes both looking ahead and remembering.
Big cards with animal shapes.
• In the first version, start by holding up the deck with
one card showing. As you hide that card in back of the stack, you
say "who ran away?" As soon as the group answers, "bear
ran away," hide the next card. and ask "who ran away?"
They are saying the name of the animal that is gone and looking
at the animal they will name when it disappears. At first the raising
of the bar happens just by accelerating the tempo. Gauge the tempo
by the level of engagement you see on little faces.
• When the children feel ready to take it to the next level,
you can slow the tempo down again, but omit the question, and the
children know that as soon as they finish saying the name of the
animal that has already disappeared, the currently visible one will
also disappear.
• Variation: with the same cards, use the song Old MacDonald,
but leave out the cumulative "with a moo moo" etc. at
the end. Sing the words "Old MacDonald had a farm," with
the first card showing. When that card disappears continue with
"and on this farm he had a ____;" You can raise the bar
either by increasing the tempo, or by leaving out "e i e i
o."
As in Rhythm Flash, this game foreshadows
the link between reading and memorizing: look ahead, play what your
eyes just left behind.
'Cello teacher Liz Weamer brought a fun activity to the recent
Suzuki Association of Wisconsin workshop in February: She presented
a set of cards with animal names, and the students discussed traits
of those animals and ways of playing that might bring those traits
to mind. After this discussion she passed out the cards and gave
the kids a moment to think of a Book One piece to play and a way
to play it that would make the others in the class think of the
animal in question. In this
setting, each student had a chance to:
• Perform from their "working repertory." (Teachers
lie awake at night inventing new excuses to do those things
called practice, repetition, and keeping a full body of repertory
in shape.)
• Play old stuff in a new way.
• Find things in other students' performance to comment
on in a way that is both supportive and constructive.
In such a setting, where students from different
cities have only recently met, Liz demonstrated the wisdom of focusing
on how different each rendition sounded, rather than questioning
whether or not it was the perfect representation of the animal.
The first goal was to "add one more notch" in performing
the piece yet another time ("I already did that, didn't I?"),
and the second goal was to experience the power of giving the piece
a different character. The genius of the exercise was in making
it seem so simple that kids had the courage to perform in the presence
of peers who were not long time buddies.
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Twinkle Rag –
a twinkle variation with a new twist on half of the rhythm in Variations
A and D. Same four sixteenth notes in a ragtime setting
Daisy Daisy uses a three four twist
on "Mississippi without the hot dog." The whole accompaniment
is open D and G. The song and bass line can be played as a violin
/ 'cello duet or on the piano.