A young mom from among my Suzuki parents thirty years ago had a
way of producing amazing results with her two sons. Another parent
asked her how she did it, and her first words were "I expect
very little." Her goals for the kids were limited, one at a
time, and clear to the kids. It's not that her expectations were
low, but the focus was always limited.
Some other spinoffs of this principal are:
• Expect to spend half an hour of parent time to get six
quality minutes from the child. It will pay off.
• If six things are wrong, fix only one and rejoice. (You
may occasionally observe in lessons that I get all excited about
left hand success even when they're holding the bow like a fly swatter.
It's because I know how hard the left hand is working.)
• Keep your own mental list of what to "fix" tomorrow,
and accept the unfinished as part of the game. End practice time
praising the buds that bloomed, and speak of other things tomorrow.
• Value & praise the exercises away from the instrument
and expect them to take up 80-90% of practice time for the first
year.
Away-from-the-instrument things are
• The CD and stretching
• Pencil bow games
• The CD and castanets or sandpaper blocks
• Box violin games
• The CD and "the sandwich game" (Try real food!)
• Reading readiness games
• The CD and stretching
• Fingerplays
• The CD and reading notes out loud
Each of the pieces on the first half of the CD takes 30-60 seconds.
That's enough for a good stretch, and it'll vitalize mom or dad
as well. Some arrangement similar to the above (and I don't mean
the whole CD 4 times) can provide release from the odd position
you need for playing and encourage freer movement. If you do the
assigned section of the CD only once, and the rest of the time
use songs or fingerplays the child particularly likes, that will
also remind you to stretch.
We do aim for perfection, but not this minute for beginners. Perfection
comes when they come to group sessions and get the "other dimension"
of playing, that includes fellowship with other kids and thinking
of new ways to do "the same old" piece.
If you would like to receive notification
as new Suzuki resources are added to this site, you can send an
email to grandma@grandmaskite.com.
Your email will not be sold, shared, traded, or used for any other
purpose than that which you requested. As it turns out, I have been
adding a topic in a parent letter about once a month for my own
Suzuki families.
Twinkle Rag –
a twinkle variation with a new twist on half of the rhythm in
Variations A and D. Same four sixteenth notes in a ragtime setting
Daisy Daisy uses a three four twist
on "Mississippi without the hot dog." The whole accompaniment
is open D and G. The song and bass line can be played as a violin
/ 'cello duet or on the piano.